Dear jewelry friends,
it is often said that Florence has very little devoted to contemporary cultures, so on a grey Sunday like this we decided to pitch to you three shows of contemporary visual arts we believe you shouldn’t miss while here. And we believe so because all of them, although in completely different ways and rather laterally more than literally, engage with the human body and its representation. Un-doubtly food for thought for jewelry makers around the world.
[Disclaimer: two out of the three shows we recommend have been curated or organized by some of our present or past Alchimia Team members. This is to say that we are not entirely partial but also that our staff really is the best you can find around.]
We start with WOMAN POWER a solo-show by Maria Lassnig (1914 – 2014), on view until June 25 at the Andito deli Angiolini of Palazzo Pitti. A paramount austrian artist of the XX century, this exhibition features 25 of her works, spanning her career from the beginning of the Sixties and until the first decade of the XX century. The female body and its self-representation are at the core of her practice, for a path that calls for women’s emancipation.
Electronic Renaissance, a solo-show by Bill Viola at Palazzo Strozzi on view until July 23.
Viola has explored Christianity and its representation in the XV and XVI century as a tool to reflect on contemporary society and its faces and facets. With a touch of new age spiritual vibe, his works are a whirlwind of emotions and spectacularity. A reflection about life and death as felt and seen through the decay or perfection of the human body.
Whether you like this master of video-art or not, this is an exhibition that is worth seeing already for two main reasons: one is that for the first time Viola’s relation to Renaissance’s painting is brought to the fore via a direct dialogue with the original paintings he was inspired by; the second is that this is a large solo-exhibition through which you can experience and understand the artist’s practice from the seventies and until today, hence allowing for a much more nuanced understanding of his oevre as a whole (including jewels of documentation of Viola’s three years experience working as an assistant in Tuscany with the ground breaking Art/tapes/22).
Our dream art history and cultural theory professor Riccardo Lami has been a core member in the organization of this show.
76’38’’ + ∞ the first exhibition in a museum by French choreographer Jérôme Bel (on view until June 25), curated by our former curatorial practice professor Antonia Alampi. After having performed in institutions world-wide – ranging from Tate to MoMA, from Documenta to the Centre Pompidou (to name but a few) – Jérôme Bel brings to Tuscany an exhibition unfolding through five iconic pieces he has realized throughout his twenty-five years of career.
Essentially Jérôme Bel offers a different approach to dance. One in which dancers become speaking subjects and the co-authors of his works. In which professional dancers and amateurs from different cultural and social contexts have access, together, to the stage. Where the realm of the “real” and of its excluded subjects becomes the content and form of his choreographic pieces.
Also in this exhibition the body and its forms are paramount, a body that is diverse and emancipated, a body that is hard to see at the centre stage: where disabled, elderly, people with diverse cultural and ethnical backgrounds, and even children, perform a dance that moves miles away from our standard conception of beauty and movement.
The show will open on Friday the 28th without the classic on-invite-only-entrance: so get yourself together and make the effort to go to Prato where you’ll be able to see the exhibition for free and experience a number of live performances for the occasion (at 7 and at 9pm + an ongoing one).
Enjoy the week and go see some art.