How to Make an Exhibition (in Florence) #2 Lilian Mattuschka

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Polene, 2015, wood.

Weapons of Perfection, Lilian Mattuschka’s show in Florence and her graduate project for her MFA with Alchimia, was finely curated. It took place at Chiasso Perduto, an exhibition space in Florence open to different disciplines.

Here are a few things we have learned from her exhibition.

If you have a very characterized space, clean it as much as possible of any unnecessary element and play and relate to its architecture. Using a minimum amount of outsourced material (pedestals or anything of the like) will create a more organic relation between your pieces and the architecture.

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Exhibithion view.

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Exhibition view.

When your collection has a rhythm, one of those rhythms that contribute to creating a narrative, do try to emphasize it and give it a form. The legibility of your artistic intentions will be enriched by it.

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Exhibition view.

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Handle, 2016, wood.

Play with your business card or any other additional element of the show. Thinking artistically or curatorially about every aspect of the exhibition is paramount if you want to seduce your audience (and above all potential client).

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Business-cards as smile-mask.

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Exhibithion view.

If your work has a certain variety, do support that with different display methods. Here, video alternates with jewelry, the latter presented in many ways that followed form. “Some were shown in nicchie, others just on the wall, hanging from the ceiling with transparent fill, some were flying, some others were shown in boxes similar to those you would use to store weapons. Also the videos were all shown in different ways: on a computer screen, projected on a mapped wall, or in a little framed iPad. The exhibition was really playing with opposites, the pieces that were speaking of impositions or encourage physical corrections were the ones flying; they seemed like birds, or angels”.

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Silenziatore, 2016, video coming along a jewelry piece by the same title. Made in collaboration with Piero Aricó.

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Weapons of Perfection, 2016, realized in collabiration with Luca Maoceri. Performers: Giulietta Evans, Andrea Bertocci, Flavia Bardelloni, Benedetta Rustici, Piero Aricó and Viola Mattuschka.

Give a lot of thought to the way you use light. Lilian here decided to work with very low lights, to emphasize the material qualities of the wood and dramatize the space by playing with their shadows.

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Die Armee, 2016, installation, wood.

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Die Armee, 2016, installation, wood.

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Polene, 2015, wood.

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Smile, 2016, plexiglass-wood-iron.

Remember to create a space for reading, drinking and talking outside of the exhibition (or at least so in winter) if you want the exhibition to be a more silent space of contemplation.

And do mind: openings are for quick chats, while it is the following days that more engaged conversations can happen. So be there for the duration of the show if you can!

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Exhibition view.

Article originally posted at Alchimia – How to Make an Exhibition (in Florence) #2 Lillian Mattuschka

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